All
backline equipment for hire is flight-cased for yours and our protection.
Remember to read our terms &
conditions before hiring any equipment and thank you for using
Magnet Backline Hire.
Guitar
amp rentals |
£ / Day |
£
/ Week |
Mesa
Boogie Dual Rectifier Solo
AWESOME!! What more can be said about the famous dual rectifier?
Fat compressed gain that will knock you dead!
Cick here for spec
Mesa Boogie hire. |
35 |
110 |
Mesa
Boogie Dual Rectifier Tremoverb
With Tremolo and Reverb. Front of the Tremoverb basically it's
a Dual Rectifier with a tremolo. Now rare as it is not being
made any longer. Sounds superb, the reverb takes the edge
off the nasty clean sound of the original rectifier. Click
here for spec
|
35 |
110 |
| Marshall
Superlead 100 The classic Marshall tone!!! 4 input Marshall
Re-issues we have amps with EL34's and 5881's output valves for
differing tones. |
25 |
80 |
Marshall JMP
Master Volume
We have a variety of Marshall Heads 50 & 100w JMPs from
early 70's to modern re-issues with 2 input Master Volume. Our opinion - Not needed just watch
any 70's live footage of Hendrix, Purple, Free or Led Zep.
Marshall amp hire. |
25 |
80 |
Marshall JCM 800
2210 & 2205 Dual Super Lead (50 & 100w)
Introduced during the mid 1980's, the 2210 (100w)and 2205
(50w) DSL series added sought-after features to the
product line, such as an effects loop and master volume. The
2210 DSL series included reverb and two foot-switchable
channels making it incredibly versatile. |
25 |
80 |
Marshall JCM 800
2203 & 2204 Master Volume series (50 & 100w)
Introduced during the early 1980's, the 2210 (100w)and 2205
(50w) series are the purist choice. Heard of pretty much every
classic rock album in the 80's. These had a little more grunt
than the JMP. A single channel head that offered more gain at
the pre-amp stage but when backed off sounds great for blues.
We recently added a single channel re-issue which has an
effects loop. AC/DC, Thin Lizzy, Airbourne anybody?
Click
for full spec
|
25 |
80 |
Marshall JCM 800
1987 (50w)
These classic Marshall amps, are favoured and featured by some
of the world's greatest guitarists and bands. The model 1987
standard lead 50 watt, with its unique sweet overdriven valve
sound and sustain, also features twin channels, one
channel is normal (input II) and the other has a high treble
response. Each channel has its own volume control and is mixed
into the tone network of treble, middle, bass and presence
controls. Many guitarists connect two inputs to get that
legendary classic overdriven sound. |
30 |
100 |
Marshall JCM 800
2550 (50W or 25W)
These amps are revered amongst Marshall enthusiasts.
They were originally called the "Silver Jubilee" series. The
key features include :-
⁃ 2 footswicthable channels with shared EQ and
presence
⁃ Rhythm clip mode on rhythm channel providing increased
gain
⁃ Selectable output power: 50 watts = 2 EL34s, 100 watts
= 4 EL34s
⁃ Effects loop
⁃ 2 speakers outs
⁃ Direct out for feeding mixing boards |
30 |
100 |
Marshall JCM 900 Dual
Reverb
100 & 50 Watts. The JCM 900 Dual Reverb was designed to
meet the demands of today's ever evolving guitar players. Marshall
engineers voiced the first channel (A) for sparkling clarity
but added enough percussive punch to kick out every note. Channel
(B) provides potent gain and grinding aggression, propelling
solos straight over the top of the band. Yet despite this gain,
real tone is never sacrificed.
|
25 |
80 |
|
Marshall
JCM 900 SLX
100W. Produced during the 1990's, the JCM 900 Mark IV SL-X
(Super Lead X-tended) amp was an evolutionary link in the
Marshall Master Volume series. By adding an extra ECC 83 (12AX7A)
valve, Marshall engineers created a gain-drenched front end
that combined twin gain controls, from 0-10, and another that
went all the way to 20! This was the amp that KISS used on
their world tours during the period. Ace Frehley and Paul
Stanley could afford any amplifier, but they found only one
with the sound they needed to fill arenas with the power of
their raw, blistering rock 'n roll: the SL-X! Our opinion - we
think that on full gain they sound like a bee in a jam jar
but hey! what do we know???
|
25 |
80 |
Marshall
DSL 200 100W
100 Watt DSL100
. DSL is an acronym for 'Dual Super Lead' , so it should come
as no surprise that this amp has two foot-switchable channels
- Classic and Ultra . Furthermore, each of these channels
boasts two modes: the Classic channel offers a Clean / Crunch
option while the Ultra offers Lead 1 or Lead 2 . Instead of
merely offering a variation in gain level to the two channels,
each one of these four modes has been individually voiced
as an amp in its own right.
The tremendous tonal versatility of this amp, coupled with
a 100% pure valve signal path (4x ECC83s , 4x EL34s ),
Dual
Reverb controls, a Tone Shift switch which 'scoops out' the mids and a Deep Switch that adds a tight, bowel loosening,
low end boost, caused the guitar world to sit up and take
notice right from the outset.
Our opinion - useful
and versatile. We have recently had the circuit boards
replaced with the new brand new version (20 from 2010) and all
reliability issues now seem to be sorted. We now have the most
reliable DSL and TSL's in the world!!
|
30 |
100 |
| Marshall
TSL 200 100W
It's like having 3 separate amps in one
box!
Having 3 independent channels (Clean, Crunch and Lead) puts
amazing control, flexibility, and tone variations at your
fingertips.
From sparkling clean to full-blown Marshall roar, this all-valve
100W head delivers it all. Each channel features its own volume,
gain, and EQ. Master controls include tone shift for beefing up
tone at low volumes, Accutronics spring reverb, effects loop mix
control, speaker emulation DI circuit for silent recording,
virtual power reduction that gives you a glorious, saturated
power amp feel without cranking it up to 10.
Comes loaded with 4 ECC83 pre-amp valves, 4 EL34 power amp
valves and also features two effects loops, loudspeaker outputs,
a five-way LED foot controller, and more. We have
recently had the circuit boards replaced with the new brand new
version (20 from 2010) and all reliability issues now seem to be
sorted. We now have the most reliable DSL and TSL's in the
world!! |
30 |
100 |
Peavey
5150
Peavey's Brown
sound amp that has a smooth crunch sound along with great lush
harmonics. The Peavey 5150 guitar amp was designed with the
help of EVH. The 5150 guitar head comes with five 12AX7 preamp
tubes that produce some of the most "Eruptive" sonic rock
sounds you'll ever hear come out of an amp. This amp is the
same amp that EVH uses while recording and on tour. The amp
has 120 watts (true RMS) that can drive 16, 8, or 4 ohm
speaker cabinets. As mentioned it has five 12AX7 tubes in its
preamp section as well as four 6L6 power amp tubes. The front
panel has two inputs one for high gain and the other for low.
The preamp section is broken down into two channels that can
be switched on the amp or by using a footswitch. The Rhythm
channel has both PRE and POST gain controls that allow you to
dial-in the any amount of molten lead that you want. There is
also a bright and crunch switch for switching between a normal
and a bit more crunch sound. The lead channel also has PRE and
POST gain controls and both channels share a 3-band Equalizer,
presence and resonance knobs. The EQ has an effect LOOP so you
can insert effects after the EQ. There is also a PREAMP out
for connecting to another amp or for recording directly into a
recording console..
Click here for spec
|
35 |
110 |
Orange 120
1970's original - classic! Classic tones built like a tank!! Used by all 70's rock acts inc Black
Sabbath. Recently used extensively by Oasis.
Orange amp hire. Recommended!! |
30 |
100 |
Simms Watt 100
Early 1970's as used by Mick Ronson RIP- the spider from Mars.
This is sooooooo LOUD but soooooooo warm. Used with a Shred
Master is sounds glorious!! |
25 |
80 |
Laney Klip
70 Watts of classic 70's Brit valve grit for hire. Great warm
tones!! You will love it!! Black Sabbath's Tony Iommi has used Laney
throughout his career. |
25 |
80 |
Sound City 50W
1970's classic clean sound, similar to a Hi Watt. Fat warm
clean sound. Put a Big Muff or Shredmaster at the front of it
and Jeeeeezus now you can rock n roll! |
25 |
80 |
| Carlsbro 50 Top - Authentic
Re-Issue Of Legendary 50 Top. Built in the UK. Well made and
sounds superb! We also still have one boxed new or sale with
a re-issue vintage cab. |
25 |
80 |
Orange 120
1970's original - classic! Classic tones built like a tank!! Used by all 70's rock acts inc Black
Sabbath. Recently used extensively by Oasis.
Orange amp hire. Recommended!! |
30 |
100 |
All
backline music equipment is flight-cased for yours and our protection.
Remember to read our terms &
conditions before hiring any equipment and thank you for using
Magnet Hire.
